Wagnerian / Libretti

Ein Jahr im Gehen, Hören und Werden.

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Libretto: Die Bergwerke zu Falun, Wagner's Opera After Parsifal

Libretto: Die Bergwerke zu Falun, Wagner's Opera After Parsifal

A Wagnerian Libretto: Orpheus, the Turn & the End of Music

A Wagnerian Libretto: Orpheus, the Turn & the End of Music

A Wagnerian Libretto: The Wanderer, the Question & the Threshold

A Wagnerian Libretto: The Wanderer, the Question & the Threshold

Libretto: Die Sieger, Reimagining Wagner’s Unwritten Opera

Libretto: Die Sieger, Reimagining Wagner’s Unwritten Opera

A Wagnerian Libretto: Sâvitrî’s Death, Silence & Return

A Wagnerian Libretto: Sâvitrî’s Death, Silence & Return

Methode / Project Method

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The Firmament Tells You What to Write Next

The Firmament Tells You What to Write Next

A Practice Has No Users: Arguments Against Instrumental Living

A Practice Has No Users: Arguments Against Instrumental Living

The Night: A Speculative Wagnerian Nocturne in Three Acts

The Night: A Speculative Wagnerian Nocturne in Three Acts

You Have to Walk Long Enough to Stop Being the Person Who Started Walking

You Have to Walk Long Enough to Stop Being the Person Who Started Walking

Mapping Wagner’s Musikalische Intensität

Mapping Wagner’s Musikalische Intensität

The Map Remembers the Route. The Body Remembers the Walk.

The Map Remembers the Route. The Body Remembers the Walk.

How Cold is Cool: The Body the Concert Hall Removes

How Cold is Cool: The Body the Concert Hall Removes

The Walk That Happens to Be Filmed: On Aufzeichnung and the Practice That Cannot Perform Itself

The Walk That Happens to Be Filmed: On Aufzeichnung and the Practice That Cannot Perform Itself

Twenty Years a Stranger

Twenty Years a Stranger

A City You Can Only Learn by Leaving

A City You Can Only Learn by Leaving

Archive: Walking With Wagner

Archive: Walking With Wagner

An Incredible Find: Walking mit Wagner

An Incredible Find: Walking mit Wagner

What the Record Knows: Cosima's Diaries and the Diary This Project Is Becoming

What the Record Knows: Cosima's Diaries and the Diary This Project Is Becoming

From Surfaces to Duration: Rethinking Urban Attention as a Response to Heinz Paetzold

From Surfaces to Duration: Rethinking Urban Attention as a Response to Heinz Paetzold

Why Aufbruch Is Not Johatsu: On Illegibility Without Erasure

Why Aufbruch Is Not Johatsu: On Illegibility Without Erasure

Aufbruch as Apologia: Wagner, Self-Explanation, and the Ethics of Making Work Legible While It Is Still Becoming

Aufbruch as Apologia: Wagner, Self-Explanation, and the Ethics of Making Work Legible While It Is Still Becoming

The Ear Knows Things the Database Doesn't

The Ear Knows Things the Database Doesn't

About Aufbruch/Matt: Eine Methode der Aufmerksamkeit

About Aufbruch/Matt: Eine Methode der Aufmerksamkeit