Wagner’s Visit to New York City Feb 3 Written By Matthew Shadbolt View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize Featured Play The Evening Game: Wagner, Whist, and the Curse That Plays Itself The Angel Was Already Walking: Interviewing Walter Benjamin What the Flame Requires: Interviewing Cosima Wagner The Sound That Named the Condition: Interviewing Charles Baudelaire The Disease One Cannot Live Without: Interviewing Thomas Mann Tradition's Other Name: On Erneuerung What the Hand Knows: On Handwerk The Madness That Runs Everything: On Wahn What It Takes to Be Called Master: On Meister The Madeleine Was Always a Leitmotif: Interviewing Marcel Proust The Walker Who Was Never Lost: Interviewing Michel de Certeau The Administered Walk: Interviewing Theodor Adorno Featured Play The Evening Game: Wagner, Whist, and the Curse That Plays Itself The Angel Was Already Walking: Interviewing Walter Benjamin What the Flame Requires: Interviewing Cosima Wagner The Sound That Named the Condition: Interviewing Charles Baudelaire The Disease One Cannot Live Without: Interviewing Thomas Mann Tradition's Other Name: On Erneuerung What the Hand Knows: On Handwerk The Madness That Runs Everything: On Wahn What It Takes to Be Called Master: On Meister The Madeleine Was Always a Leitmotif: Interviewing Marcel Proust The Walker Who Was Never Lost: Interviewing Michel de Certeau The Administered Walk: Interviewing Theodor Adorno Loge Watches the Burning: When We Look Back, the World Is Always Ending The Night: A Speculative Wagnerian Nocturne in Three Acts The Wound Teaches Me to See: Interviewing Friedrich Nietzsche The Self the Walk Undoes: Interviewing Judith Butler What the Musician Owes the Music: Interviewing Hans von Bülow The King Who Needed the Dream More Than the Dreamer Did: Interviewing Ludwig II of Bavaria What the Music Cannot Repay: Interviewing James Baldwin You Have to Walk Long Enough to Stop Being the Person Who Started Walking The Silence That Made the Opera Possible: Interviewing Mathilde Wesendonck The Labyrinth That Knows You Are Inside It: Interviewing Jorge Luis Borges Twelve Operas. One World. No Exits. Mapping Wagner’s Musikalische Intensität The Dream the Project Sent: On Heimsuchung, Athens, and the Instrument That Plays Itself The Self That Will Not Hold: On Auflösung The Same Word, A Different Darkness: Sehnsucht in April When Daylight Is the Enemy: On Nacht Beyond Yourself and Nowhere Else: On Ekstase Oriented, Not Optimistic: Prospection Through Wagner Is Not Hope 1Wagner History Matthew Shadbolt https://www.matthewshadbolt.com
Wagner’s Visit to New York City Feb 3 Written By Matthew Shadbolt View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize Featured Play The Evening Game: Wagner, Whist, and the Curse That Plays Itself The Angel Was Already Walking: Interviewing Walter Benjamin What the Flame Requires: Interviewing Cosima Wagner The Sound That Named the Condition: Interviewing Charles Baudelaire The Disease One Cannot Live Without: Interviewing Thomas Mann Tradition's Other Name: On Erneuerung What the Hand Knows: On Handwerk The Madness That Runs Everything: On Wahn What It Takes to Be Called Master: On Meister The Madeleine Was Always a Leitmotif: Interviewing Marcel Proust The Walker Who Was Never Lost: Interviewing Michel de Certeau The Administered Walk: Interviewing Theodor Adorno Featured Play The Evening Game: Wagner, Whist, and the Curse That Plays Itself The Angel Was Already Walking: Interviewing Walter Benjamin What the Flame Requires: Interviewing Cosima Wagner The Sound That Named the Condition: Interviewing Charles Baudelaire The Disease One Cannot Live Without: Interviewing Thomas Mann Tradition's Other Name: On Erneuerung What the Hand Knows: On Handwerk The Madness That Runs Everything: On Wahn What It Takes to Be Called Master: On Meister The Madeleine Was Always a Leitmotif: Interviewing Marcel Proust The Walker Who Was Never Lost: Interviewing Michel de Certeau The Administered Walk: Interviewing Theodor Adorno Loge Watches the Burning: When We Look Back, the World Is Always Ending The Night: A Speculative Wagnerian Nocturne in Three Acts The Wound Teaches Me to See: Interviewing Friedrich Nietzsche The Self the Walk Undoes: Interviewing Judith Butler What the Musician Owes the Music: Interviewing Hans von Bülow The King Who Needed the Dream More Than the Dreamer Did: Interviewing Ludwig II of Bavaria What the Music Cannot Repay: Interviewing James Baldwin You Have to Walk Long Enough to Stop Being the Person Who Started Walking The Silence That Made the Opera Possible: Interviewing Mathilde Wesendonck The Labyrinth That Knows You Are Inside It: Interviewing Jorge Luis Borges Twelve Operas. One World. No Exits. Mapping Wagner’s Musikalische Intensität The Dream the Project Sent: On Heimsuchung, Athens, and the Instrument That Plays Itself The Self That Will Not Hold: On Auflösung The Same Word, A Different Darkness: Sehnsucht in April When Daylight Is the Enemy: On Nacht Beyond Yourself and Nowhere Else: On Ekstase Oriented, Not Optimistic: Prospection Through Wagner Is Not Hope 1Wagner History Matthew Shadbolt https://www.matthewshadbolt.com
