Wagner Backstage in Rehearsal Jan 7 Written By Matthew Shadbolt View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize Featured How Cold is Cool: The Body the Concert Hall Removes The Practice Does Not Guarantee the Outcome: The Years When Nothing Was Performed The World That Cannot Be Reached: On Ferne What You Hold Without Proof: On Glaube Neither Here Nor There: On Schwelle The Walk That Happens to Be Filmed: On Aufzeichnung and the Practice That Cannot Perform Itself The Price of Return: On Buße What Knowing Would Destroy: On Geheimnis What the Grotto Offers: On Versuchung The Risk You Take on Another Person: On Vertrauen The Question You Must Not Ask: On Schweigen What the City Keeps Not Showing You: Ghosts, Compounds, and the German Art of Appearing Featured How Cold is Cool: The Body the Concert Hall Removes The Practice Does Not Guarantee the Outcome: The Years When Nothing Was Performed The World That Cannot Be Reached: On Ferne What You Hold Without Proof: On Glaube Neither Here Nor There: On Schwelle The Walk That Happens to Be Filmed: On Aufzeichnung and the Practice That Cannot Perform Itself The Price of Return: On Buße What Knowing Would Destroy: On Geheimnis What the Grotto Offers: On Versuchung The Risk You Take on Another Person: On Vertrauen The Question You Must Not Ask: On Schweigen What the City Keeps Not Showing You: Ghosts, Compounds, and the German Art of Appearing The Man Who Cannot Be One Thing: On Zerrissenheit The Body Wants What It Wants: On Verlangen The Question Lohengrin’s Elsa Should Not Have Asked Kill the Wabbit: On Seeing Wagner Everywhere Music as Conscience, Music as Complicity: Interviewing Furtwängler on the Unresolved Cadence of History Archive: Walking With Wagner The Storm That Happens Inside You: Wagner, Agitation, and the Sturm und Drang Inheritance The Silences of the Language: Wagner, Das Lehrerzimmer, and the Interior Walk Wagner’s Engineering of Conditions for a Single Moment of Attention On Sehnsucht: The Ache That Has No Address What the Record Knows: Cosima's Diaries and the Diary This Project Is Becoming Not a Label. A History: The Leitmotif as a Model for Learning German Valhalla on a Deadline: Optionalism, the Ring Cycle, and the City That Cannot Choose The One Who Knew: Erda, the Norns, and the City That Ignores Its Witnesses Only Those Who Can Wait Can Hear: On the Grammar of Waiting Marriage as Threshold: Wagner’s Bridal Chorus Reconsidered From Surfaces to Duration: Rethinking Urban Attention as a Response to Heinz Paetzold Why Aufbruch Is Not Johatsu: On Illegibility Without Erasure 1 Matthew Shadbolt https://www.matthewshadbolt.com
Wagner Backstage in Rehearsal Jan 7 Written By Matthew Shadbolt View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize Featured How Cold is Cool: The Body the Concert Hall Removes The Practice Does Not Guarantee the Outcome: The Years When Nothing Was Performed The World That Cannot Be Reached: On Ferne What You Hold Without Proof: On Glaube Neither Here Nor There: On Schwelle The Walk That Happens to Be Filmed: On Aufzeichnung and the Practice That Cannot Perform Itself The Price of Return: On Buße What Knowing Would Destroy: On Geheimnis What the Grotto Offers: On Versuchung The Risk You Take on Another Person: On Vertrauen The Question You Must Not Ask: On Schweigen What the City Keeps Not Showing You: Ghosts, Compounds, and the German Art of Appearing Featured How Cold is Cool: The Body the Concert Hall Removes The Practice Does Not Guarantee the Outcome: The Years When Nothing Was Performed The World That Cannot Be Reached: On Ferne What You Hold Without Proof: On Glaube Neither Here Nor There: On Schwelle The Walk That Happens to Be Filmed: On Aufzeichnung and the Practice That Cannot Perform Itself The Price of Return: On Buße What Knowing Would Destroy: On Geheimnis What the Grotto Offers: On Versuchung The Risk You Take on Another Person: On Vertrauen The Question You Must Not Ask: On Schweigen What the City Keeps Not Showing You: Ghosts, Compounds, and the German Art of Appearing The Man Who Cannot Be One Thing: On Zerrissenheit The Body Wants What It Wants: On Verlangen The Question Lohengrin’s Elsa Should Not Have Asked Kill the Wabbit: On Seeing Wagner Everywhere Music as Conscience, Music as Complicity: Interviewing Furtwängler on the Unresolved Cadence of History Archive: Walking With Wagner The Storm That Happens Inside You: Wagner, Agitation, and the Sturm und Drang Inheritance The Silences of the Language: Wagner, Das Lehrerzimmer, and the Interior Walk Wagner’s Engineering of Conditions for a Single Moment of Attention On Sehnsucht: The Ache That Has No Address What the Record Knows: Cosima's Diaries and the Diary This Project Is Becoming Not a Label. A History: The Leitmotif as a Model for Learning German Valhalla on a Deadline: Optionalism, the Ring Cycle, and the City That Cannot Choose The One Who Knew: Erda, the Norns, and the City That Ignores Its Witnesses Only Those Who Can Wait Can Hear: On the Grammar of Waiting Marriage as Threshold: Wagner’s Bridal Chorus Reconsidered From Surfaces to Duration: Rethinking Urban Attention as a Response to Heinz Paetzold Why Aufbruch Is Not Johatsu: On Illegibility Without Erasure 1 Matthew Shadbolt https://www.matthewshadbolt.com
